If you find a copy with the original lyric inner sleeve (which famously misprints half the "lyrics" as phonetic approximations), you are holding an artifact worth upwards of $400. If it still has the original 4AD hype sticker? Call your insurance agent. When Treasure was licensed to Vertigo in Canada, a bizarre manufacturing error created a white whale. Some early pressings accidentally replaced the album’s closer, Donimo , with an early, unpolished mix of Pearly-Dewdrops' Drops (a single from the previous year).
What makes it rare? The lacquer was cut at (credited as “Master Rock” in the dead wax) before the band decided to remix the album for the U.S. market. This pressing contains a significantly different mix of Lorelei —with Fraser’s vocals pushed further back in the mix, buried almost as an afterthought, and Guthrie’s flange effect sounding more volatile, like a radio signal from a dying star. cocteau twins treasure rar
What makes it bizarre is that the track listing on the sleeve still reads Donimo . You buy the record, drop the needle on Side B, and instead of the menacing, slow-burn finale, you get the jangling, frantic energy of a B-side. Only about 200 of these mispresses are believed to exist. Owners describe the moment of discovery as "confusing, then exhilarating." Between 1989 and 1991, an unknown Italian bootlegger pressed approximately 500 copies of Treasure on translucent orange vinyl. Officially, the album was never authorized on orange wax. If you find a copy with the original
Whether you own the standard CD or the mythical Canadian mispress, the truth remains: Treasure is less an album than a weather system. And every once in a while, if you listen closely to the surface noise of a rare pressing, you can hear the thunder. Do you own a strange pressing of Treasure? Have you heard the "Orange Vinyl" phenomenon? Let us know in the comments. When Treasure was licensed to Vertigo in Canada,
But for the hardcore devotee, the standard vinyl reissue or CD remaster is merely the door. The real Treasure is buried in the grooves of its rarer incarnations, the alternate takes, the geographical oddities, and the sonic anomalies that have turned this album into the Holy Grail of the dream pop collectors’ market.
By Alistair Finch