The twist: the mystic’s memory contains not a weapon, but a warning. The Bandhan technique was never meant to be used for trauma extraction — it was originally a curse, passed down through Meera’s lineage to contain a demon that feeds on sorrow. By removing too many memories, Meera has unknowingly weakened the seal.

The catch: every memory she extracts becomes her own nightmare for seven nights.

Meanwhile, a powerful tech billionaire learns of Meera’s power and wants to weaponize it — to extract state secrets from political rivals. He offers her a fortune. She refuses.

Meera uses this ability secretly to help victims of trauma — a child who saw a murder, a woman who forgot her assault, a soldier haunted by war. But the local police, led by a cynical officer , begin investigating a series of strange “memory loss” cases. They suspect a drug, not magic.

What I can do is offer a inspired by the title Spellbound — one that explores themes of memory, identity, and forbidden magic, which could fit a hypothetical 2024 film. Spellbound (2024) — A Deep Story In a rain-soaked coastal town in Kerala, a young classical dancer named Meera discovers she has a rare gift: when she performs certain mudras (hand gestures) with perfect emotional intensity, she can briefly trap a person’s most painful memory inside a small glass vial. The process is called Bandhan — binding.