The breaking point was a flat tire. Steve, enraged, slashed one of their quad bike tires in return. A petty, human, male reaction. Jenny watched him do it and felt the world tilt. She knew, with a clarity that felt like drowning, that Steve had just signed their death warrants. He wasn't fighting for justice. He was fighting for the right to exist in a space these boys had already claimed as their own savage kingdom.

"Mum," he said, his voice trembling with a rehearsed lie. "That's her. That's the woman who hurt Brett. She's the one."

The final scene is not a scream. It is a bath.

In the end, Jenny stops struggling. She looks at her reflection in the water—smeared, distorted, unrecognizable—and sees that the hollowing is complete. She is not a person anymore. She is a cautionary tale. She is the reason other couples will turn back when they see the dirt track. She is the ghost that now belongs to the lake, the same color as the pewter water, whispering in the reeds.

They force her into a claw-foot tub. The water is cold. The faces around her are a circle of pale, judgmental moons. Children and adults, fused into a single, tribal organism. They don't beat her. They don't rape her. They simply wash her. A boy—Paige—scrubs her arms with a brush, hard, until the skin raises in red welts. "Get the blood off," Brett says, smiling. "Make her clean."