Industrial metal meets flamenco palmas. Lyrics about alchemy failed: trying to turn trauma into gold, only to end up with rot that shines. The guitar solo is a single, distorted note held for 30 seconds. Eighth impurity: value as decay.
The most “accessible” track—if accessible means a trap beat soaked in reverb, vocals that alternate between a lullaby and a scream, and a bass drop that sounds like a sinking ship. About loving someone who sanitizes you. “Me quieres puro / pero yo soy agua de mar.” Fourth impurity: love as contamination. Estado impuro -aka- State of Impurity -2022- 10...
A spoken-word interlude over a single, looping cello note. The protagonist confesses to a therapist who isn’t there. The final line: “Diagnóstico: estado impuro. Pronóstico: ninguna pureza vendrá a salvarme.” Seventh impurity: healing as acceptance of brokenness. Industrial metal meets flamenco palmas
Album Concept Estado Impuro exists in the liminal space between dichotomies: sacred/profane, organic/machine, order/chaos. The title refers not to a flaw, but to a condition of being—the acceptance that purity is a myth and that identity, culture, and emotion are inevitably hybrid, contaminated, and stronger for it. Across ten tracks, the album traces a protagonist’s descent into their own contradictions, only to emerge not cleansed, but peacefully impure. Genre & Sound Palette A collision of industrial percussion, liturgical choral samples, broken reggaeton dembow, and ambient drone. Think Arca producing a Rosalía B-side inside a collapsing cathedral, with echoes of How to Destroy Angels and SOPHIE ’s hyperkinetic textures. The mix is intentionally “wrong”—vocals clip, bass frequencies swallow melodies, silence is weaponized. Track Breakdown 1. Bautismo de Plastik (3:42) Opens with dripping water and a child’s music box—then a kick drum fractures the lullaby. Autotuned whispers recite a corrupted baptism: “Te bautizo en nombre del plástico, del algoritmo y del ruido santo.” First impurity: technology as ritual. Eighth impurity: value as decay
A grotesque carnival waltz. Accordion samples reversed. Lyrics about a saint whose miracles are cheap tricks. The bridge descends into a pitched-down chant: “Milagro en oferta / dos por uno / fe líquida.” Sixth impurity: the sacred as commodity.
The longest track. A slow, corrosive build. Rain sounds become static. Choral “amens” become screams. Around 4:00, everything cuts except a heartbeat and a match strike. Then: a full orchestral collapse. Ninth impurity: ritual without redemption.