You love puzzle-box narratives, grief as a theme, and books that demand rereading. Skip it if: You need a straightforward sequel or find experimental narration frustrating rather than fun.
Muir hasn’t lost her touch. You’ll get necromantic body horror, bone explosions, and existential dread—followed by lines like, “You couldn’t even eat a fucking egg.” The locked-room murder mystery now unfolds in a haunted space mansion called the Mithraeum, with three other Lyctors who hate each other. Harrow the Ninth
The book is largely written in second person, with “you” referring to Harrow. It’s jarring at first, but it becomes a powerful tool for empathy and mystery. You feel her dissociation and her desperate love for someone she can’t remember. You love puzzle-box narratives, grief as a theme,