Fans of the original, anyone grieving a parent, and people who believe that every problem can be solved with a choreographed dance number on a Greek pier.
Mamma Mia! Here We Go Again is a mess, but it is a beautiful, intentional mess. It is too long, the present-day plot is undercooked, and it relies heavily on your tolerance for schmaltz. But when it works—specifically during Lily James’s sun-drenched odyssey and the final tear-jerking tribute—it works better than any jukebox musical has a right to.
The past timeline works because it’s not a comedy. It’s a romance that knows it is destined to fail. Watching young Donna fall for Sam, knowing that he eventually betrays her by returning to his fiancée, gives every sunny duet a shadow of future pain. Mamma Mia- Here We Go Again
In the past (1976), we meet a 22-year-old Donna (Lily James) as she graduates Oxford and embarks on a backpacking trip across Europe. We watch her stumble, literally and figuratively, into the arms of the three men who will become Sophie’s potential fathers: the earnest Harry (Hugh Skinner), the brooding Bill (Josh Dylan), and the dreamy Sam (Jeremy Irvine).
While the past timeline soars, the present timeline stumbles. Amanda Seyfried does her best with limited material, but Sophie’s crisis—"I miss my mom and my boyfriend is in New York"—feels thin compared to Donna’s epic journey of self-discovery. The new male leads in the present (Dominic Cooper’s Sky, and Andy Garcia as a hotel manager) are given nothing to do except look handsome and concerned. Fans of the original, anyone grieving a parent,
★★★★☆ (4/5)
The biggest risk was recasting the iconic Meryl Streep. While Streep appears in a brief, devastating cameo, the film wisely pivots to Lily James. The gamble pays off spectacularly. James doesn’t imitate Streep; she embodies the idea of a young Donna—reckless, vulnerable, and fiercely independent. Her rendition of “Andante, Andante” is so softly sensual it feels like a secret, and her solo version of “My Love, My Life” is a masterclass in musical acting. It is too long, the present-day plot is
Mamma Mia! Here We Go Again is a rare sequel that doesn’t just replicate the original—it deepens it. By swapping frantic stage energy for genuine, bittersweet melancholy wrapped in ABBA gold, director Ol Parker delivers a jukebox musical that will make you cry just as hard as you dance.