Killers of the Flower Moon (Apple/Paramount) is three-and-a-half hours long. By all logic of the ADHD generation, it should fail. Instead, it is dominating the box office. Why? Because Martin Scorsese treats adults like adults.
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I’m watching The Curse on Showtime (the new Emma Stone/Nathan Fielder chaos) and ignoring my 400-day backlog on my DVR. Conversely, Five Nights at Freddy’s is breaking Peacock
Conversely, Five Nights at Freddy’s is breaking Peacock records. It’s a video game adaptation about a haunted pizzeria. Critics hate it; the internet loves it. That dissonance is the modern media landscape. We cannot talk about popular media without addressing the elephant in the room: Taylor Swift. the internet loves it.
Music journalism is dead. Long live the TikTok detective. Five years ago, we relied on magazine covers and late-night hosts to tell us what to like. Today, the algorithm shows you a clip of a 2018 sitcom, you laugh, and suddenly you are binge-watching a show that was cancelled four years ago.
