"You aren't drawing to hang it on a wall. You are drawing to make it dance." — Morgan Williams, School of Motion.
The core philosophy of Illustration for Motion is simple yet radical: school of motion - illustration for motion
If you are ready to stop fighting your vector files and start telling better stories through movement, clear your schedule, grab a stylus, and enroll. Your After Effects timeline will thank you. "You aren't drawing to hang it on a wall
Here is an exhaustive breakdown of what the course offers, who it is for, and why it has become essential reading (and drawing) for the modern motion designer. Traditionally, illustration and animation were separate guilds. An illustrator drew the key art; an animator broke it apart. But in the modern studio environment—think HBO title sequences, Spotify animated covers, or Google Doodles —the lines have blurred. Your After Effects timeline will thank you
Morgan focuses heavily on and personality . She is famous for her "Warm-up corner" segments, where she forces students to draw 50 hands or 30 expressions before touching the computer. She emphasizes that software is just a tool; your hand and eye are the engine.
It forces you to see the world through the lens of an animator: the way a leaf falls is a curve; the way a dog shakes is a series of overlapping circles; the way a car stops is a gradient squash.