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By J. Sterling
In response, Disney CEO Bob Iger has done something unthinkable: he’s cutting volume. The studio is slashing the number of Marvel and Star Wars releases to focus on "quality over quantity." Meanwhile, inside the animation bunker, Pixar is pivoting back to original ideas ( Elio ) after years of sequels ( Toy Story 5 is still coming, though—old habits die hard). The most fascinating bet? Disney is leaning hard into video game adaptations . The recent The Last of Us (HBO, technically Warner) proved the format is gold, and Disney wants its piece with a potential Elder Scrolls series. While Disney chases the $200 million spectacle, A24 is quietly conquering the world with $15 million freak flags. Searching for- cali carter brazzers in-All Cate...
But the streamer faces a new crisis: . After years of treating cinemas as a marketing expense, Netflix has changed its tune. They struck a deal with AMC and Regal to give their awards contenders ( Rustin, Maestro, Hit Man ) proper wide releases. Why? Because winning an Oscar still matters. A blue checkmark on a PDF doesn't compare to the golden glow of a statuette. The most fascinating bet
We are living through the "Peak Content" hangover. After years of studios burning billions to see what stuck (metaverse experiments, live-action remakes no one asked for, and enough IP crossovers to make a Marvel comic blush), the industry has split into three distinct power blocs. On one side, you have the (Disney, Warner Bros.) fighting to protect their shrinking box office fortresses. On the other, the Streaming Warlords (Netflix, Amazon) who have realized that losing money on prestige films is only fun if you win an Oscar for it. And lurking in the middle, the Disruptors (A24, Neon)—the art-house cool kids who suddenly find themselves holding the blueprints for the future. While Disney chases the $200 million spectacle, A24
For a decade, the battle cry of Hollywood was "Content is King." But in 2024, the monarchy has been overthrown. In its place reigns a new, more ruthless doctrine: Franchise is God, but Vibes are the Holy Spirit.