The pop-up electronic viewfinder (EVF) also got a resolution bump. It’s not the OLED of the A7 series, but at 2.36 million dots, it is usable even in bright sunlight—something the rear LCD cannot always manage. When Sony launched the RX100 VI, they marketed it as “the ultimate travel compact.” But travelers were confused. Travel photographers usually want either low-light muscle (for evenings) or wide angles (for architecture). The RX100 VI offered neither of those excellently.
Also, the battery (NP-BX1) is laughably small. 240 shots per charge if you’re lucky. With the EVF and constant zooming, you will kill the battery in an afternoon. Buy three spares. It’s a ritual. sony rx100 mark 6 cu
Pair this with 315 phase-detection autofocus points covering 65% of the frame, and you have a camera that can track a hummingbird’s eye while you spray 24 shots per second. This isn't a street photography camera anymore; it's a wildlife camera for people who don't want to carry a 5-pound DSLR rig. The pop-up electronic viewfinder (EVF) also got a
More importantly, it proved that pocket cameras could not survive by fighting smartphones on their own turf (wide, fast, computational). Instead, they had to retreat to what smartphones physically cannot do: 240 shots per charge if you’re lucky
For documentary filmmakers on a budget, the RX100 VI became a B-cam that can hide in a pocket and deliver 200mm close-ups without changing lenses. No review of the RX100 VI is honest without acknowledging its fatal flaw: low light.