Click. The shutter opened. Fifteen seconds of exposure. In that time, a police cruiser’s strobe flickered five blocks away, a plane crossed the moon, and Diamond let her hand drift to the back of her neck, a casual, unthinking gesture of being watched .
She turned back to the mirror. In its reflection, the city wasn’t reversed—it was focused . The mirror didn’t flip left and right; it seemed to compress depth, pulling the most distant neon sign into sharp relief next to a nearby rain-streaked ledge. It was a lens, not a mirror.
Diamond lowered the camera. For the first time, she touched the mirror. It was warm. Pulsing. Alive.
The result, when she reviewed it, stopped her heart. The city was a river of light streaks. But her silhouette was sharp, almost carved, and the mirror in the foreground had caught something else—a third figure? No. Just her own shoulder, refracted, multiplied, turning her solitary body into a gallery of angles.
She began instinctively—shooting the city grid, the wet rooftops, the distant bridge strings vibrating with car headlights. But every shot felt sterile. Beautiful, but empty. Like taking a photo of a diamond in a vault. The glimmer was there, but the why wasn’t.
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