Food stalls sold harira and saffron churros. A Jordanian poet recited verses about exile and Wi-Fi signals. Someone’s grandmother taught a German tourist how to play Tula while a Tunisian DJ dropped a remix of Umm Kulthum—bass boosted for open air.
The oud played on. The falcon hovered in the air—digital, but almost real. Food stalls sold harira and saffron churros
To the left, a young Emirati filmmaker named Mariam projected her short film onto a billowing linen sail. The film showed a girl chasing a drone across the dunes—half memory, half algorithm. Locals and tourists sat on poufs, sipping mint tea, their faces lit by the shifting pixels. The oud played on
Under the bruised desert twilight, the old plaza of Marrakech exhaled. Strings of amber bulbs flickered to life, casting honeyed light on carpets spread over sun-bleached stone. This was no ordinary night—it was the first Souq Al I’bda’ , the Market of Creation, a fusion of outdoor entertainment and digital media. The film showed a girl chasing a drone
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