V3 | Latgale Trip

This is the account of 120 hours in Latgale, October 2026. A journey by diesel train, rented bicycle, and foot. A journey into the blue-grey. Rīga’s central station at 6:47 AM. The train to Rēzekne – the region’s unofficial capital – is an electric marvel by EU standards, but inside, the spirit is Soviet: worn velvet seats, windows that fog with collective breath, a samovār (tea boiler) that gurgles like a dying accordion. I choose a compartment with a Latgalian grandmother crocheting doilies. She doesn’t speak Latvian – only Latgalian and Russian. I understand one word: “ezeri” (lakes).

Walk from the fortress to – an Orthodox cathedral of brick and five gold domes. Unlike Rīga’s tidy churches, this one is raw. Inside, no pews. Worshippers stand. Women kiss icons. A deacon chants in Old Church Slavonic. I light a candle for my grandmother, who fled Eastern Europe in 1944. The flame trembles. So do I. latgale trip v3

Thirty minutes east. Andrupene is not a museum. It is a living village of potters. I visit the workshop of , 84, whose hands are cracked like dry lakebed. He throws a bowl in 90 seconds, then explains the glaze: local sand, birch ash, and a secret he calls “zaļais spēks” (green power). I buy a jug shaped like a rooster. He laughs: “Tas dziedās tikai tad, kad būsi laimīgs.” (It will crow only when you are happy.) This is the account of 120 hours in Latgale, October 2026

A final detour to the remote village of on the shores of Lake Peipus (the border with Russia is 2 km east). This is an Old Believer community that fled Tsarist persecution in the 17th century. They do not use electricity on Sundays. They pray in a chapel with no windows. They bury their dead in unmarked graves facing east. Rīga’s central station at 6:47 AM

Jānis the driver whispers: “My grandmother walked 90 kilometers here in 1944. Barefoot. For peace.”

The journey east is a slow revelation. First, the coniferous monotony of Vidzeme. Then, near Jēkabpils, the landscape begins to fold . Low hills. Birch trees stripped half-bare. And then – the lakes. They appear without warning: Cirišs, Rušons, and later, the sprawling majesty of Lubāns, Latvia’s largest lake, more a flooded plain than a proper body of water. The grandmother points: “Ūdens dvēsele” – water’s soul. By the time we pull into Rēzekne at 10:15, my notebook is already wet with dew from the open window.

Inside, V3’s first discovery: a room dedicated to . Not the polite folk pottery of tourism brochures, but fierce, glazed figures – horses with human eyes, demons with three heads, jugs shaped like pregnant women. A sign reads: “Keramika – runājošais māls” (Ceramics – speaking clay). I buy a small bowl, unglazed on the outside, cobalt-blue within. The vendor, an elderly man with one tooth and two world wars in his posture, says: “Tas ir Latgale. Smags ārpusē, dziļš iekšpusē.” (Hard on the outside, deep inside.)